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I suspect that Carolina Ferraz's three Júlias and Emilio de Melo's three Pedros are equally impressive, but they persistently fade into the background beside Benício's brilliance.
It makes me want to watch his other movies to see if he so dramatically dominates everything he does, or if director Sandra Werneck just pulled this extraordinary performance out of him.
Carlos misleads Julia to think that he left his wife for her and he misleads his wife Maria by telling her, he went on a two week business trip.
Carlos is straddling the fence between the two women. Carlos ends up returning to Maria and his previous boring and predictable married life. It shows Carlos and Pedro as a gay couple and Julia as a divorced mom who is raising Lucas, her seven year old son.
Brando was like that in every movie he made; it'll be interesting to see if the same is true of Murilo Benício.He visits an art gallery opening where her work is exhibited.