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"You write a song about something that you think might be taboo, you sing it for other people and they immediately recognize themselves in it," Prine says. You admit everything that's wrong and you talk about it in the sharpest terms, in the keenest way you can." "Back then, I just wanted to write songs I could be proud of and be able to play in five years," Billie Joe Armstrong said last year of his attitude while creating Green Day's 1994 pop-punk breakthrough Dookie.The LP went on to sell millions and Armstrong — who didn't get the credit he deserved as a writer back in the days of more serious-minded bands like Nirvana and Pearl Jam — has amassed one of the most impressive song books of the last 20 years. ), displayed a mastery of styles from throughout rock & roll history.Or softer, depending on how you look at it." Westerberg has his own explanation for his unique underdog genius: "I think the opposite when I see something," he once said."I have dyslexia, and I've used it to its best advantage." With a talent for wordplay that can be as head-spinning as it is disturbing, and a knack for incessant sing-song choruses that suggest he might've thrived in a Brill Building cubicle, Eminem crams hugely popular songs with more internal rhymes and lyrical trickery than anyone else in contemporary pop.Benny and Björn had already been a songwriting duo for six years when they teamed up with their girlfriends Anni-Frid Lyngstad and Agnetha Fältskog — who were both Swedish pop stars already — to form Abba.

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"I write almost as if I'm in conversation with somebody." The crucible of her collaboration with Timbaland was the Swing Mob, a loose constellation of performers and producers who worked with Jodeci's De Vante Swing in the early Nineties.

After the band split up, Ulvaeus and Andersson went on to collaborate on several musicals — including the Abba jukebox musical, Mamma Mia! Hall was an English major who said he learned to write songs by osmosis, soaking up everything from Dickens to Hemingway.